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   Detective 5 (murder mystery - serial killer)

   A blog by Ryan-trovert in General

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   • Chapter 1: The Funeral

   

   Latest Entry
   

   seinen Chapter 1: The Funeral

   Audio version here: 

    

   A woman dressed in all black, stepped out, her movements graceful and calm, despite the quiet hum of anxiety beneath her.

   Her long, golden-blonde hair fell in gentle waves past her shoulders, framing a face that spoke of quiet contemplation and hidden depths.

   The building itself was a study in modern solemnity: sleek, minimalist, and expensive, its expansive glass facade reflecting the overcast Kanezawa sky like a somber mirror. The air carried a faint chill, a prelude to deeper discomfort.

   Approaching the grand entrance, the woman was met by a female attendant, whose smile was practiced and polite.

   The attendant offered a respectfully bowed greeting before presenting a heavy, leather-bound registry book. The pages within were stark white, waiting to be filled with the names of the grieving.

   "If you would, please," the attendant murmured, her voice soft as velvet, gesturing towards the open page.

   The woman took the pen, its cool metal a small anchor in her hand. She filled in her full name: Misao Takano. Her script was careful, deliberate, a reflection of her meticulous nature. Then her address: 3-12-8 Sakura Heights, Churo Ward, Hanakaze City.

   When her gaze fell upon the "Affiliation" column, she paused, a fleeting moment of hesitation that rippled through her otherwise composed demeanor.

   Makoto Kure.

   The name felt both distant and unsettlingly familiar. She tried to recall their interactions, searching for a bond that might justify a closer connection, a more intimate category, but found only fragmented memories of senior high school days.

   They weren't close, not truly. He was a classmate, yes, a former schoolmate. That was it.

   She wrote "Classmate" in the “Affiliation” column.

   The attendant nodded, then gestured towards the main hall.

    

   The sheer size of the funeral hall for Makoto Kure was startling. Misao had expected a gathering, a respectable number of mourners, but this was a multitude.

   The space was vast, filled with hushed murmurs and the subtle, cloying scent of lilies that hung heavy in the air. It was far grander than she would have imagined for the Makoto she remembered.

   The sheer volume of people, a silent, sorrowful sea, spoke of a life that had touched far more than a handful of old school friends.

   An usher, noting her solitary presence amidst the groups of conversing attendees, gently guided her towards the back row, a section seemingly reserved for acquaintances, colleagues, and distant relations – those who perhaps knew the public persona more than the private man.

   As she settled into the plush seat, the truth dawned on her with a quiet certainty.

   The Makoto she knew, the unkempt, boisterous delinquent from senior high, was not the Makoto being mourned by this sea of people.

   This was a public figure, a famous self-help influencer, and these sorrowful faces belonged to his fans, his followers, not necessarily his intimate circle of friends and family.

   The transformation was profound, almost unbelievable.

   A memory, sharp and vivid, unspooled in Misao's mind, pulling her back to a different Makoto.

    

   It was a warm afternoon during senior high. The air, thick and heavy with the promise of summer, clung to everything, making uniforms feel stifling and movements languid.

   The shrill, insistent ring of the school bell had just signaled the end of lunch break, its echo fading as streams of students, their chatter slowly dissolving, began to flow back towards their classrooms.

   Misao, heading towards her classroom, had passed by the gymnasium.

   The back doors were slightly ajar, letting out a sliver of noise and scent into the otherwise orderly hallway.

   From within, she heard boisterous laughter and the unmistakable, acrid scent of cigarette smoke, thick and stale in the enclosed space.

   Peeking inside, driven by a flicker of curiosity, she saw him: Makoto, his uniform disheveled, surrounded by other delinquents. They weren't even attempting to hide their smoking, exhaling plumes of smoke into the stale gym air as if daring anyone to challenge them.

   Their voices were loud, their laughter echoing, raw and uninhibited, a stark contrast to the quiet hallways outside, a defiant rebellion against the school's strictures.

    

   He had been so different then, so unrestrained, so unlike the polished, confident image now gracing the altar.

   The contrast struck Misao, a testament to the complexities of human transformation.

   It made her wonder which Makoto truly existed, or if both were merely facets of a man she barely knew.

   After a few moments of quiet reflection, the vivid image of the past Makoto lingering in her mind, Misao decided to pay her respects directly.

   She rose from her seat, her usual graceful and calm stride carrying her purposefully towards the altar, a quiet island in the sea of murmuring mourners.

   There, draped in a tasteful cloth, sat the closed casket, a solemn vessel containing the final remnants of a life.

   Above it, dominating the altar space with an almost theatrical presence, was a large, illuminated photograph of Makoto. In the photo, he was the very picture of success: well-styled hair, a neatly trimmed face, an engaging, confident smile as he looked directly into the camera, radiating an aura of polished charisma.

   The altar itself was a lavish display, overflowing with an array of vibrant flowers—lilies, chrysanthemums, and roses in profusion—alongside a discreet microphone and several copies of Makoto’s glossy self-help books, prominently arranged as a testament to his worldly impact.

   Misao bowed deeply to the photograph, a respectful acknowledgment of the man, or at least the image, that had once been Makoto Kure.

   She then approached the casket, her hand hovering for a moment, a moment of hesitation before connecting with the finality of death, before gently resting upon its cool, smooth surface.

   The polished wood felt surprisingly inert beneath her palm.

   "You look peaceful, Makoto," she murmured, almost to herself, her soft-spoken voice barely a whisper in the vast hall.

   "It's… weird, isn't it? Seeing a batch mate gone so soon. We're only in our early thirties".

   A sudden, almost imperceptible tremor ran through her fingers as they rested on the casket, a faint shiver that was not of cold.

   Her heart skipped, a jolt of panic, sharp and unexpected, coursing through her. She quickly, almost imperceptibly, withdrew her hand, trying to hide the slight trembling that had betrayed her composure.

   She glanced around, a quick, furtive scan, her eyes darting through the somber crowd.

   Luckily, no one seemed to have noticed. Only the still, unseeing presence of the deceased Makoto Kure was there to witness her fleeting moment of vulnerability.

   A quiet sigh escaped her lips, barely audible, a release of held breath. She clasped her hands together and offered a silent prayer for Makoto, a brief, heartfelt moment of farewell, before turning and making her way back to her seat with renewed composure.

   Back in her seat, Misao’s thoughts drifted, it was just fatigue, she told herself, a consequence of overworking, her well-known vice.

   Her quiet contemplation was abruptly interrupted by a voice, dry and slightly nasally, from behind her.

   "They say funerals bring people together. Weird. He's dead, so we hang out."

   Misao turned to see Kiyoshi Shijo, his lean, wiry frame with shoulders slightly slouched, and his gaze fixed on his phone rather than her.

   He had just arrived, disheveled brown hair fell across his forehead in unruly strands. Behind thick eyeglasses, his usual air of social awkwardness preceding him like a faint aura.

   She offered a small, knowing smile. He still showed up, even if he didn't have to.

   Before Misao could respond, another voice, precise and direct, cut in, carrying an undeniable edge of authority. "Kiyoshi, must you always be so… blunt?"

   Nara Hiruma stepped into the row, her brisk and efficient walk a stark contrast to Kiyoshi's shuffling gait. Her striking blue hair fell in sleek strands to her shoulders, with precise bangs. Behind wire-rimmed glasses, her eyes, sharp and analytical, held a familiar glint when they met Misao's.

   Behind her, Junichi Kai lumbered forward, his imposing frame filling the aisle with a comfortable, if slightly clumsy, confidence.... A mountain of muscle. Dark, tousled hair crowned his head in unruly waves. He offered Misao a warm, almost shy smile.

   “Misao-chan! It’s been too long,” he boomed, his casual, friendly tone momentarily forgetting the solemn setting, then quickly softened his voice, remembering where they were.

   Then, Makiko Handa appeared, her light, quick steps almost silent. Her petite frame seemed almost delicate. Soft purple hair fell in gentle waves just past her shoulders. Her eyes were red-rimmed, betraying recent tears. She offered a soft, almost apologetic giggle, a common nervous habit that Misao remembered well.

   "I'm so sorry, everyone," she whispered, her voice soft-spoken. "It's just… so sad."

   The four of them – the remnants of the Hiroo senior high school detective club – now sat awkwardly together in the back row, a strange reunion brought about by death.

   Junichi, trying to lighten the mood, attempted to break the ice.

   "Well, since we're all here, might as well make the most of it, right? Maybe grab some coffee after this?"

   Kiyoshi, still engrossed in his phone, gave a noncommittal grunt.

   Nara, considered the proposal with her usual analytical precision.

   “A cafe would provide a more suitable environment for discussion than a funeral hall,” she stated, her words clipped and efficient.

   Makiko, nodded enthusiastically, a small, hopeful smile breaking through her grief-stricken expression.

   Misao, observing them all, felt a strange mix of emotions – a nostalgic pull for the past, a quiet apprehension for the uncertain future that seemed to be drawing them back together, and a flicker of hope that perhaps this unexpected reunion held a purpose beyond mere mourning.

   "A cafe sounds good," Misao agreed, her voice soft but deliberate, cementing the plan. "There's a quiet one a few blocks from here."

   As the group silently settled back into their seats, Makoto’s mother, Ayame Kure, made her way to the altar.

   A staff member, with a somber expression appropriate to the occasion, handed her the microphone.

   Ayame's presence commanded attention, her black hair, now touched with elegant silver streaks at the temples, was pulled back in a neat ponytail. In her mid-fifties, she carried herself with a refined poise.

   Her grief a palpable weight in the hushed hall, drawing all eyes to her. She took a deep, shuddering breath, her eyes sweeping over the assembled faces, a fragile dignity clinging to her despite her evident pain.

   "My son, Makoto…" she began, her voice trembling but clear, filled with a raw, maternal sorrow, "he was my world. From the moment he was a small, boisterous boy, full of an irrepressible energy that often got him into mischief, to the confident, inspiring man he became, he filled my life with joy and sometimes, with a pain that only a mother can know".

   Her voice faltered slightly, catching in her throat, but she pressed on, a fierce love burning in her eyes, unwavering even in the face of immense loss.

   "He was so kind. So dedicated. He touched so many lives, more than I could ever have imagined, more than he probably knew himself."

   A tear escaped her eye, tracing a path down her cheek, a shining testament to her sorrow.

   "I want to thank all of you for coming today. For showing your love for Makoto, for honoring his memory. Your presence here, it truly means the world to me. He would have been so proud… so touched to see you all here."

   The silence that followed was thick with shared sorrow, broken only by a few sniffles from the rows of fans, a collective sigh of grief.

   Ayame's gaze hardened slightly, a subtle shift that caught Misao's keen eye, an underlying tension replacing the outward sorrow.

   Her hands, gripping the microphone, began to tremble, no longer from grief but from a rising intensity.

   Her expression twisted, contorted by a raw, unbridled emotion bubbling to the surface, startling everyone in the hall, pulling them from their solemn reflections.

   "But he wouldn't want this," she cried out, her voice rising, cracking with a sudden, searing fury that shattered the funeral's solemn peace, echoing through the vast hall.

   Her eyes, wild with grief and conviction, glared at the closed casket, as if daring it to contradict her. "He wouldn't leave me like this! My son… Makoto… he didn’t commit suicide! He was murdered!"

   The declaration hung in the air, a shocking, desperate cry that silenced every whisper, every rustle, every breath in the vast hall, leaving behind only a stunned, horrifying silence that pulsed with disbelief and a chilling revelation.

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2. 

   History and Heritage

   A blog by Animedragon in General

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   Recent Entries

   • Bodium Castle
   • The Hovercraft Museum
   • Cleeve Abbey
   • Brean Down Fort
   • Blaenafon Iron Works

   

   Latest Entry
   

   Bodium Castle

   Bodium Castle is an impressive fortress, built in 1385 by Sir Edward Dalyngrigge, a former knight of Edward III, with the permission of Richard II. The castle has no keep and all the rooms and chambers are built around the outer defensive wall. This was characteristic of castle architecture in the 14th century. Sadly, while the exterior of the castle has survived largely intact the interior has not, although enough of the walls and foundations survive to allow some reasonably educated guesses about the interior layout.

   The castle has a round tower at each corner and a square tower in the centre of each wall, two of these towers contain the entrances. The castle is surrounded by a huge moat that gives the impression that the castle is standing in the centre of a lake rather than surrounded by a moat.

   Access to the main gatehouse was via a small octagonal island in the middle of the moat connected by bridges, one of which may have been a drawbridge. The gatehouse itself comprises two imposing towers and had three portcullises. Today the castle is accessed by a bridge going strait to the central island but the original access route was via a bridge set at 90 degrees to the castle entrance making it hard for an enemy force to charge the main gatehouse. The access to the postern gate was a much simpler affair with little defensive capability. However the postern was very low and narrow and the gatehouse featured murder holes in its ceiling.

   Viewed from the edge of the moat the castle has all the appearance of an impressive and powerful fortress but it is questionable if it was really intended to be a fortress. The outer wall has some quite large windows in it which are certainly weak points in its defensive capabilities. Indeed it has been questioned if this was really a fortified manor house designed to impress visitors rather than a castle because despite it's three portcullises and murder holes in the ceiling of the gatehouse the arrow slits in the upper levels are unsuitable for this purpose and some military historians have raised questions about the design of the the crenelations and suggest that they may have been purely decorative.
   However, the castle was involved in two conflicts. In 1483 during the wars of the Roses it was placed under siege by Richard III's forces and surrendered. During the English Civil War the castle was attacked by the Parliamentary forces and following its capture the castle was slighted, meaning that it was deliberately damaged so it could not be used as a fortress this involved destroying the interior buildings and bridges. 

   It has also been said that the moat could be drained fairly quickly by any attacking forces. The castle's 28 garderobes (toilets) discharged into the moat, so the castle was effectively surrounded by an open sewer so even if the attackers drained the moat it would not have been a pleasant area to cross.

   But whatever your opinion of its defensive capabilities, when viewed from a distance it presents the perfect image of a powerful fortress set in the middle of a lake and the very essence of what a mediaeval castle should look like. Which is why it appears on the covers of so many books about castles.

   Today the castle is owned by the National Trust and is a protected Grade I listed building and Scheduled Monument.

    

   The main gatehouse and a classic image of an English castle surrounded by a moat.

   

   The postern gate, more a sort of tradesman's entrance. It was too narrow for a cart to pass though and too low for a horse and rider to pass through. It has been suggested that in the 14th century it was intended as the servants and tradesmen’s entrance.

   

   Another view of the heavily fortified main gatehouse and all that's left of the building on the central island.

   

    A view of the main gatehouse and one of the side walls.

   

   One of the side walls of the castle, the large windows were a weak point in its defences.

   

   The interior of the castle was destroyed after it fell to the Parliamentary forces during the English Civil War.

   

   The various doorway openings in the wall give an hint of the upper floors of the castle.

   

   Another interior view showing the locations of doors and fireplaces in the upper floors.

   

   I hope you enjoyed reading my blog and found it interesting.

    

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