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I may be 70% done with the first chapter on my webtoon. Which is called "Geisha Epic" by the way. So it means I'm close to uploading this on webtoons.com and Tapas.
Which brings up the question, when will I upload chapter 2? How often will I update?
And most webtoon artists will say, weekly is the best. It's a good rule of thumb or is the industry standard.
And I don't agree with that.
The one chapter a week thing started in Japan with Shonen Jump. A magazine containing manga.
Any Japanese manga artist who wants to succeed needs to be published in Shonen Jump. That's the only way their manga will get popular.
This was before the Internet age.
Since Japanese manga artists needed Shonen Jump more than the other way around they had no choice but to follow the rules of Shonen Jump.
And that is to release a chapter a week because it's a weekly magazine.
And that is the only reason why one chapter a week became the industry standard for Asian comics. There is no other reason.
It's not like Shonen Jump did a scientific study that showed one chapter a week is the optimal schedule for human beings to read manga. It's just because they're a weekly magazine.
So why release a chapter a week? Why not every two weeks? Or every month? There are manga out there that update monthly.
Why do webtoon artists outside Japan who don't need Shonen Jump, who don't need a big publisher anymore because it's the Internet age and you can self-publish, why are you still following that rule? When you don't have to?
You can publish anytime you want. Every day, every week, every two weeks, every month, every year, it doesn't matter.
Just don't think that it has to be every week because that's the best practice or whatever.
Now I know webtoons.com pretty much copied this from Shonen Jump. They also give out contracts to good artists where they get paid a lot of money but have to make one chapter a week. Which is fine. I actually have no problem with that because you get paid.
And that's the thing, it's okay if you're getting paid.
So you who is probably a part-time webtoon artist, who is just doing this on the side and is not making money from it, why are you following this one chapter a week rule? At least get paid for it right? Stop making it hard for yourself.
But why is a week not enough to make one chapter? How many weeks is needed to make a chapter?
Actually, seven days is enough to make one chapter. But seven days is not enough to make one QUALITY chapter.
Any comic artist can put out a chapter a week. It's easy. Just cut corners. Lower the quality for one. Make it black and white. Don't draw backgrounds anymore. Stop adding details to drawings. Cut down the page count and so on.
The problem is when you want a quality chapter in one week.
It's like wanting a big house that is also cheap. The fastest car but it has to be cheap. The best smartphone but it has to be cheap. It's not possible. You usually get what you pay for.
It's like this, a great story, good looking art, updates twice a week. Choose two. You can only choose two. You can't have all three.
So you have a webtoon that updates twice a week and has a great story but bad art or a webtoon with a great story, great art, but doesn't update regularly. You can't have it all in life.
I will admit though that nowadays readers are expecting one chapter a week whether it be manga, webtoons, manhua, whatever. They demand weekly chapters.
Again it's Shonen Jump who drilled this into our heads that comics should come out weekly. But it doesn't.
To answer the question, what will be my update schedule for "Geisha Epic"? Every two weeks or every four weeks. I think that suits my lifestyle, schedule, and art style just fine.
Because that's the point of self-publishing right? You call the shots.
What do you think? What are your thoughts on this. Comment them below.
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Hey guys. I hope you guys are all well. First blog post here. I was born on June 12 21 years back, and well...my life since then is not one for the faint of heart. Well, maybe that is exageratting but if someone told you this was a happy tale, that I was your average, neurotypical guy not a care in the world, someone lied...
TL;DR is that in the past couple of months, my dad caught COVID(opted to not get the vaccine) and died, tons of family drama ensued with his GF and his relatives regarding how to handle his remains, power of attorney, etc. This reignited tensions between my mom and sister(and even me) and cue broken glass everywhere, lots of screaming and crying, a fist fight almost broke out in the ER between my mom, dad's niece, niece's BF, and me when I tried to prevent an altercation from breaking out, and a full on fist fight went on between my mom and sister when my sister got upset over some petty shit and started wailing on her, and my mom wrestling her on the ground. Just, lots of fucking craziness, but I finally moved out with my mom's help and I am getting space with my family, both physically and limiting contact, and have an EMT job and in an apartment with roommates.
Aside from the family dysfunction, I am autistic(high functioning) and my social skills left alot to be desired growing up. Having turned 21 recently, I finally started to feel normal in terms of social intuition, but with that comes with feeling worse about my cringier moments when attempting to socialize. Then there's two people from my past, people I saw as friends and thought reciprocated but maybe never felt the same.
Friend A was a guy, actually from a fundamentalist Christian family(no HP, Pokemon, creationist, anti-Halloween etc). This was when I was in middle school so I was still cringey and plus haven't deconverted(though family isn't fundamentalist). We got along for quite some time but as time went on and shenangians involving girls came up (think the ''get girl to like you'' plans you see from teen characters on TV) I started to see more of his manipulative side, with black mail, using me for snacks, lending him my phone etc. Moved away, lost contact, found out after graduating HS that he molested my sister, and he blackmailed/threatened me when I confronted him via text. Friend B I met in high school. We got along initially, but then they got kinda withdrawn. I admit I got kinda clingy and crossed boundaries, but when we seemed to reconcile and start to connect, they told me they were getting into some bad shit(think missing on a milk carton shit), tried to stop them from doing it, things got confusing and I went to far, and the lashed out and didn't want to speak to me again. That was 4+ years ago now. Against my better judgement, I reached out to them and didn't really get a reply so I won't do it again, so maybe they are still mad, I don't know. There's honestly certain things about them I wonder if I should have been weary of, since they said some things that implied they were using me or even signs they may not have been as nice as I thought. I made mistakes, but of course I initially thought friend A was really great too...
It is hard. Sometimes I don't feel bad about all this, other times I wonder if I will spiral into a mental breakdown. It seems autism isn't just about your social skills, but even when trying not to dwell or hyperfixate on things my brain wants to do it's own thing. And it can feel a bit scary since I don't want to go to a bad place. I don't want to hurt anyone, or myself. My sister has tried to kill herself several times and I don't want to put myself in that category. No offense to anyone who has struggled with that...but it is also afraid if I will prove certain people right and become that bad person they think I am, or even being so pathetic and naive that I may do such a thing or be so trusting enough to be manipulated by others.
Like I said, it's alot of up and down, and especially about my father since he was a piece of work(bad temper, verbally abusive, etc) yet seeing my sister cry at the funeral was hard and even I feel sad even if I question whether I would ever reconcile with him. I do have a couple new friends here, which may help. Maybe I am too caught up in my thoughts, and sometimes it feels like too much and I hope I can get better. It will still take some time before I am fully settled in, especially with money. But then I can explore things like friends, martial arts, more animes, shows or movies, etc. Finding that special someone would be nice too, but well I likely have some ways to go before getting in a relationship.
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In Praise of Shadows by Junichiro Tanizaki is an odd essay about traditional Japanese aesthetics. It is haphazardly composed, switching between discussions as disparate as sushi recipes and Noh actors. But amid the stream-of-conciousness-like writing, there is a central theme: in the Japanese sense of beauty, the presence of shadows is the key influence around which any artistic situation should be desiged. For example, the author reasons that miso soup is best served in earthy laquerware rather than white china because the broth takes on a murky, obscuring quality.
Although Tanizaki’s writing concerns the period in which basic Western technology – such as electric lighting – is being introduced to Japan, I was curious to see what insight the essay might provide to more modern forms of technology. In particular, I wanted to examine Serial Experiments Lain as the best known anime concerning this particular topic. Does the series demonstrate the same traditional appreciation of shadow that Tanizaki writes about? Or has the influence of technology created a disposition towards different sensory compositions? These are the central questions I wish to answer here today. I am not foolish enough to claim I understand the plot of Lain but I hope that in understanding the work’s relationship with shadows, some new understanding can be gleamed from the series.
The first scene in SEL shows the sillouhuette of powerlines before cutting to a couple walking down a street at night. We see neon signs and faint reflections off of urban architecture, but not much else. Besides the few lights, their surroundings are entirely black. If we go by the strictest interpretation of Tanizaki, we might say that the glow of electric lights immediately disqualifies the work since he thinks them to be too harsh. However, if not to the letter, the scene certainly adheres to the spirit of In Praise of Shadows: We’re given an impression of the location while the details hidden in the darkness are left up to the imagination.
I mention the above alley scene because it was the first to occur, but the same things can be said virtually any time that the background is obscured in shadow. For example, the first time we see Lain’s room, we see only a small circle of light from the window and Lain at her desk. The majority of the screen – and the room – are invisible to us. Even when the camera angle changes, half of the space is in darkness. Logically, we suppose that there must be another half to the room, but given the surreal nature of the show, even this conclusion should be questioned. For audiences returning to Lain, every aspect of the show should be treated with scrutiny, but it is scenes like this, when shadows create large ambiguities, this is when we should be at our most attentive to what Lain is experiencing.
So we know to pay attention to shadows, but do they change over the course of the series? Perhaps the most prominent evolution of shadows concerns Lain’s room. What in episode 1 is merely the absence of sunlight quickly evolves into shadows of a muted blue, made that way by the Navi screens she accumulates. Though her world is still shrouded in obscurity, it has taken on an unnatural quality. In these dim corners of the show where reality seems to be uncertain, the digital, electronic world begins to play at ambiguity. Here, I can say for certain that Tanizaki’s sense of shadow is lost completely. Instead, the traditional sense of shadow must give way to a modern, computerized shadow – one in which anonymous Knights, men in strange equipment, and god-like entities can slip through with ease.
The other main difference in shadows that reccurs over the course of the show is that not all of the them are dark. A second type of shadow occurs, and occurs often in the show. They are most often potrayed as cloudy lumps of purple and black, with splotches of red that reminiscent of blood splatters. What do these shadows mean? It seems as though the characters are not aware of their strange appearances – we might then hypothesize that they have been designed that way as part of the art style, solely for the appreciation of the audience.
I’m unsure of what to say about them. For me, the odd appearance added a surreal element to the series. They tend to occur in otherwise brightly lit scenes (though not always), so they tended to stand out. “These shadows don’t look right. Is this really reality?” was what I thought whenever they appeared. They are perhaps not aesthetically murky like Tanizaki’s conception of shadows, but for me, they created a sense of murkiness to the plot, by making me question why the world would produce these strangely-patterned shadows.
Technology and shadow might be opposite things to Tanizaki, but Japan has advanced tremendously since he wrote In Praise of Shadows. I think in the time since then, the two have found a new, modern relationship with one another, one that is demonstrated in Lain. The series without its shadowy elements simply wouldn’t have been quite as impactful as it is. It is an anime that is appreciated best when the aesthetics and plot can be just barely discerned from deliberate obscurity. If I can give some cliched words of advice to appreciate the anime, I’d have to say: “Live in praise of shadows. And, let’s all love Lain.”
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For those of you who have watched the Attack on Titan anime, or read the manga you can agree with me that the series in its entirety is a masterpiece from start to finish. The show addresses many of the darker themes and aspects of life which are applicable in our world today such as war, bigotry, pain, suffering and other forms of hatred and injustices that are ever-present throughout the story’s continually evolving plot. Although the plot of Attack on Titan may encompass all of these different issues they are all intertwined, and the one crucial similarity among all of these different themes is the perception of reality, and how it shapes our perspective and our view of the world around us as well as what we perceive to be true and just. Initially the story of Attack on Titan is told through the perspective of the young, and idealistic protagonist Eren Jaegar whose main objective is to save humanity from what he believes to be the brink of extinction from Titans who for some unknown reason wish to entirely eradicate humanity. As he continues to travel and work alongside the Scouts, the expedition team tasked with uncovering the secrets of the Titans and saving humanity, he eventually comes to learn along with his partners that they have been incorrect and misinformed concerning the state of world affairs which has consequently led to them being isolated from the rest of the world on Paradis Island. This revelation is so crucial because it forces Eren, the Scouts, and the rest of humanity on Paradis to question who the real enemy they have been fighting all this time truly is as their main issue is no longer defending themselves against the threat of Titans, but now striving for peace and acceptance in society while bearing the scorn of a modern world that despises them as a result of their people’s history and because of their ethnic differences. The circumstances of those from other nations of the world are similar to those on Paradis in the sense that they have been indoctrinated with propaganda about the inhabitants of the island, and believe that their fears and feelings of superiority because of their race provide them with a justifiable excuse to commit genocide against them. Eventually during the story’s conclusion the world as a whole begins to move toward building peaceful relations with one another as well as understanding after coming to realize their fears were irrational and that regardless of differences they are all human beings. The inability to understand and respect differences between people is what sows confusion and hatred in the minds of others, and it is an issue that is especially present in our world today. This lack of understanding only creates tensions, and perpetuates unending cycles of fear and hatred which can lead to conflict and result in nothing pain, sorrow, and unnecessary bloodshed, which I believe is one of the key underlying messages Isayama was trying to get across to his viewers through the series. Overall this series is very enjoyable and I was enthralled from the moment I began it, and I would highly recommend adding it to your watchlist if you have had reservations about getting into it.
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Welcome back to confirmation biases. Last time, I explained that to avoid confirmation bias, you'd have to view a perspective on both sides. If you haven't read it yet, I suggest you do.
So, what did I mean by viewing a perspective on both sides?
Well, simply put, I meant what I said. You find both proving and disproving evidence of a topic. Well, how do you do this?
Think of it this way - "Does this evidence give clear evidence that this might be right? If not, is there any counter evidence?"
If the answer to this is yes, congratulations - You've found sound evidence that does not confirm that your belief is 100% right. At the most, you've most likely only confirmed a very small portion of your claim.
If the answer to this is no, however, you then look for counter evidence. Counter evidence to see if your not-clear evidence is incorrect.
Let's use an example, again.
You're investigating a murder. You have solid evidence that the murderer is a 15-year old child from... I don't know, Kentucky. However, you know that this one piece of evidence doesn't confirm it, and therefore, look for counter-evidence.
Then, you do find counter-evidence. You find counter-evidence that they're not from Kentucky, and that they're actually from New Jersey. So, you put both of these aside and begin battling out which seems more likely.
If, however, you can't find a conclusion, then set them aside for later until you find more evidence/counter-evidence. Once you have enough, argue with yourself, then make your case.
This has been Week One of Logic Lessons with L, stay tuned for Week Two, which we'll be discussing about planning and unplanned executions of... anything.
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Naruto is know for it's large cast of lovable characters but as of episode 112 of the original series I can definitively say that Rock Lee is easily my favourite character in the series.
Everything from his positive demeanor, to his underdog background is so very beautifully shounen, he's so very cheesy with his background of fighting back against those who didn't believe in him, finding comfort in Might Guy and rising to become a splendid ninja. But what I think makes him special is just how genuinely sympathetic, yet still endearingly passionate in the face of absolute failure and misfortune he can be.
An example of what I've expressed comes from his legendary fight against Gaara in the preliminaries before the finals of the Chunin Exams. When he is defeated by Gaara we learn that he will never be able to return to being a shinobi due to the severity of his injuries, this causes Lee to question his future and everything up until this point becuase of his ethos being to never give up and that with hard work even he can become a splendid ninja but in spite of it all he keeps a positive outlook and whole heartedly believes he will one day recover with perseverance.
Eventually Naruto finds the legendary healer Sanin Tsunade who is famous for her healing capabilities, however she urges Lee to quit being a shinobi due to his only option being life threatening surgery, at this point, desperate for an answer he asks Might Guy what to do, in a highly emotional climax both Lee and Might Guy decide that in order to coninue his dream he must never give up as that is his nindo, his ninja way.
In the end he displays something so beautifully simple, that passion and perseverance will always pay off and that even in the worst of times we can continue to be better for ourselves and for those we love. Rock Lee is my favourite because he's corny and goofy and simple and so emblematic of what I love about shounen anime.
The story is about a woman who discovers that she has supernatural abilities after kids in her city begin to go missing and must locate a book called The Ruthisian Codex to gain mastery over her powers and find the people responsible for the kidnappings.
The lead character's name is Phia and the first chapter explores her seemingly normal life as a budding caterer. Throughout the book, I will describe certain dishes that she makes in detail and include the recipes at the back of the book. I may also include pictures but I'm not 100% certain yet. I'm also considering starting a Discord & hosting monthly virtual brunches where people can create their favorite foods from the book & we can all show our creations & hang out for a few hours. Making recipe videos for YouTube or live streaming myself preparing the dishes is also another idea I have.
Phia's abilities and back story all center around Ancient Egyptian mythology and religion. Her love of cooking, her romantic interests, and some of her other hobbies are all tied into the Egyptian deities that she identifies with the most.
Hello everyone. Today I just wanted to throw in a random review about a show I watched called DearS. It’s not one I’m going to weekly review, and it’s CERTAINLY not (very) popular. I just had so many emotions about it I knew I had to review it. So here we go.
Warning: watch this one ALONE!!! Also warning: THIS IS THE MOST CRINGE-WORTHY HENTAI I SWEAR...
We’ve all been there. You’re bored, but none of the anime you’re currently watching seem interesting. So, you look for something new. Today, I felt that way, and as I was scrolling through RetroCrush I accidentally clicked on a show. Since I was having a hard time finding anything that sparked my interest, I decided to watch it anyway. And wow, I think this is the exact opposite of what I normally watch. 0~0
The premise: it’s modern times Japan, and it’s a year after a space-ship crashed full of submissive sexy/sex-loving aliens. They’re now part of society, (kind of; there’s only 150 of them on Earth) and we call them DearS. Why capital s? No idea. Anyway, this kid works at a game shop, and he just snuck out one of those Japanese hentai games for his pervy friends. (honestly, how could I have been SO bored I watched the whole episode? I have no idea...) He got a scar on his cheek after the game store owner found out what he was doing and beat him up. One of the friends mentions he heard a DearS is moving into their neighborhood. Game-store-worker boy (I forgot all the names in this, okay?) apparently thinks these DearS‘s are too good to be true. He doesn’t believe that they could be so smart and hot and whatever.
Later, after attending class with his creepy, horny teacher, he walks home alone until he spots a girl with a ragged blanket and blue hair huddling in some bushes and shaking like she’s crying. Wow. He walks up to her and he’s like “are you okay? Why are you shaking so much?” She seems just a really shy girl or something, until, after our protagonist bends down to talk to her, she jumps out from the bag fully naked (oh dear lord why did I watch this hentai? Why am I reviewing it?) and then she starts glowing and a tiny bikini with absolutely no coverage pops up on her and then she kisses protagonist boy. He gets all surprised, and then she pulls back to cup his head in her hand.
Remember the bandage? She puts her hand right on that place and when she takes it away, the band-aid falls off and *BOOM* the cut disappears. He basically goes “what the frick.” And then he walks away, but she follows him. So he just gives up and takes her to his apartment where he gives her some clothes he has and shows her how the shower works. And then he walks away and goes to bed.
When he wakes up, in classic anime style, he thinks it was all a weird dream. He goes back to sleep for about 1 second, to wake up again and realize that the DearS he found is still naked, and is sleeping next to him. He jumps about 4 feet in the air. Then they eat some bread. Honestly I forgot what order stuff happened in, writing this takes way more time than it does to watch a 24 minute episode. But anyway, after a bit of trouble since she can’t speak Japanese, he finds out her name. Here, I googled it. It’s: Ren Ren Ren Nagusaran Rensia Roroonren Nakora. Yup. He thinks it’s pretty stupid, so he just calls her Ren.
Then his 6 alarm clocks start going off, and the landlord’s daughter comes upstairs to wake up Takeya Ikuhara (yes I finally remembered his name) like she usually does. He shoves Ren in a closet, but the landlord’s daughter can pretty obviously tell something is off. Anyway, at school he keeps asking the landlord’s daughter stuff about DearS. And that’s about all I remember of this retro hentai horror (at least, the first episode)
Because I suck at describing anime, here’s what Fandom has to say:
One year prior to the beginning of the story, mankind made its first contact with an alien species, when a malfunctioning alien spacecraft made an impromptu crash-landing in Tokyo Bay. The aliens on board the UFO are human-like and remarkably beautiful, and are soon affectionately nicknamed "DearS" by their human hosts, which means "Dear friends from outer space"; as extraordinarily kind and gentle as they are lovely, the DearS are a slave race in actuality, seeming to thrive as individuals and as a species by making others happy; as they are unable to return home, the small community of DearS attempts to integrate themselves into human society, concealing their status as a slave race from the public due to concern over the fact that humanity does not agree with slavery.
The main plot follows the story of Takeya Ikuhara, an average high school student in the fictitious Koharu prefecture, and how his life is turned on its head, due to the appearance of a beautiful and apparently defective DearS he calls "Ren", who, after Takeya saves her life and nurses her back to health and teaching her the ways of the human society, promptly becomes attached to him and moves into the closet of his apartment, declaring herself his slave and him her master. As the story progresses, Takeya finds himself becoming surrounded by several more DearS along with his near-constant companion Ren.
Okay, if you want to watch this, (why would you) I’ll stop giving you spoilers. Anyway, hope you “enjoyed” this, see you at the next anime review. Also, sorry if you’re now reaching for some eye-bleach.
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I was reading a blog post from a blog I like, The Drunken Anime Blog, when I had an idea. “I haven’t even started to watch some popular anime’s like Attack On Titan and Fruits Basket yet, what if I reviewed them like she does?” I usually just use a status update, but I think more people will see if I make blog posts.
Good idea, right? Right. Let’s do this. But then I realized a problem. Two, actually. Number one: “Thoughts from a sad, anime-loving lump” doesn’t exactly sound like a reviews blog. It sounds like a blog about my life. Which, it is. Number two: this is my complaints about life blog. So, I decided to start a new blog. Please comment what I should call it, because I have no ideas. Anyway,
Love and UwUs,
So I like to take the time to talk about reading manga/comics. This entry isn't so much about something specific I am currently reading but more about reading apps on my phone. I'll be quite honest I have a few (10 to be exact). That might be excessive or for some not enough. I started with one from an ad on facebook or instagram not sure and it spiraled out. I will divulge i mostly read romance and bl on the sites. I have the following: webcomics, mangatoon, tapas, patreon, torycomics, tappytoon, manga renta, webtoon, coolmic(XXX), webnovel(not a good one but i can't find the comic im currently reading anywhere else).
Webcomics, mangatoon have a point system along with buying coins to read. Some comics need money to read I'll be honest but the free coins do help
Patreon is really good if you want to help artist in my opinion by directly funding and in doing so you do get perks. Also to can also read uncensored versions.
My 3 favorites though thus far are tapas, tappytoon, and webtoon all are which are paying types. Though I have to say its worth it especially tappytoon. The stories and graphics are on point. There really isn't bad translations that you get from other sites. They don't have a big collection but what they do have is great well in my opinion.
One of my favorites on Tappytoon is Light and Shadow was such a good story so much I would really love a hard copy. The Knight and Her Emperor is also quite excellent.
That's all I have to say for now. As I am intrupted by a nasty thunderstorm so I'm going to get going if you have any questions about today's blog please feel free to ask.
The pics attached are screen shots of app icons on my phone, the 2 in the middle are tappytoon, and the last one is webtoon
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I was bored so i just drew a picture or two , so here i am , sharing them
and heres the second one : a picture of a cute nurse girl
stay safe everyone , plus i'd like to hear your opinions of these pictures , thank you
I'm kind of, fascinated with old stuff. REALLY old stuff. And while I've never found anything particularly outstanding to other people maybe, i always treasure what i do find.
and today, i wasn't really expecting to find anything! i was just out in my backyard garden, picking through stones from the freshly cultivated soil, because i do find a lot of gemstones in my garden after hoeing it, and i think they're pretty. i kind of have a little of collection of them.
but then i saw something that caught my eye, a bright red rock with something sticking out of it. and at first i thought it was just like, another type of rock mixed in with the red rock, but when i picked it up and looked closer, i knew what i was seeing was the back end of a fully-intact shell. and i was like, wow! i have to break this thing open. Sure I could've kept it the way it was, but i knew inside were probably layers of more shell fragments that were more interesting to look at to add to my collection. So I grabbed a hammer, and split the thing in half, and this is what i found.
I'd never found anything containing a fossil fully intact before...just the ghostly remnants of an imprint of something no longer there. but look, there it is, that's a fully intact shell.
how cool is that! you can see lots of other bits of imprints of shells that are no long there, too, all over the stone, which is what most of my rocks look like. But holy cow, this shell is still here. And it's not the only one. Theres a couple here and there, sticking out in different ends of the rock.
I like to go out and hunt for stuff like this, because it's fun. But I never expected to find a fossil sitting in my own backyard.
These are the other interesting fossils ive acquired
the imprinted leaves I actually got at a festival in one of those old-fashioned towns, that kind of preserves the way it used to be when it was founded in the 1800s.
The limestone to the right of it is a block of a bunch of shell fragment and coral imprints, theres a fossilized reed in there i found on my grandpas property as a little kid,
and i found this one a couple years ago while camping out in the woods.
anyways, i was SO super stoked about this, i just had to post something.
Also I noticed my blog title was kind of similar to someone elses, so i tried changing it, but im not very creative LOL
I really want to do this art challenge that has been circulating on Instagram. However, my Instagram won't connect to my phone to upload =_= I tried re-dling the app and finally just messaged them.
Anyways, if anyone wants to suggest characters that would be awesome
So, here I sit - after what we've come to know was a near-miss today in my county with Death-Virus 2020. I've been reading a lot of posts and comments on social media the last few days, and just holding my head for most of them. A few voice actors I follow are in full-panic mode "I worry for the future", and "I don't know how long things will be this way, we've never dealt with anything like it before."
I'll be blunt, I quoted Christina Vee and Erika Harlacher for those - and not only are they not leveraged in any sense of reason, they're also not rooted in any sense of fact.
But let me start someplace a little bit brighter for you all.
Things to remember
- There is no reason to fear the future - any future. If you can figure out the present, you are capable of figuring out the future - regardless of how unforeseen it can be.
- Any bad situation can be turned into a good situation if you have the right mindset.
- Optimism is your friend. There are plenty of positives that are around you, much more than the negatives.
- Struggles make you a better person on multiple leaves. It may surprise you that there is a hint of fact in the adage "what doesn't kill you makes you stronger."
- It is not forever. Nothing ever is, and there is no reason to believe this too will be forever.
Already, we are beginning to hear about fluxes in released/recovered patients being released from hospitals in meaningful numbers in China. That's after they cracked down hard on quarantines and bit the bullet on health services. They are well on the way to recovery, and their numbers do indeed show that. That is to say, there is something on the other side of this virus - life returning to normal once again. That's not to say that things may not get worse for you, or for the rest of us before things finally improve. By no means should you believe this as a means that things "can only get better." But it is to say things can always get worse. That being said, it's up to you on how much you let that worse impact you and your life.
As for the quotes...
"I worry for the future."
Why? Why would you worry for the future? Why worry any more now than you have been? If you don't concern yourself with the future, you aren't paying attention. Suddenly presuming the future is dark based upon a current blip of pressure is easy to do, but it's also self-destructing and rarely-if-ever rooted in truth. If I had a nickle every time I heard someone say "I worry about the future", I'd be rich right now, and almost never have those premonitions of the individual ever culminated in anything beyond a minor and momentary inconvenience. Please don't sensationalize yourself, your future, or the future of others simply because of your immediate sense of dread due to your own misunderstandings and misconceptions.
"We've never seen anything like this before."
Um. You haven't. None of us alive today have. But to say that this is unprecedented is absolutely false. It is true that on a global scale quite of the same caliber it has not happened, but the following things have happened before:
- Economic collapse on a global scale
- Worldwide pandemic of an unknown pathogen
- Worldwide pandemic of a rapidly transmitting pathogen
- Shutdown of Western European commerce and business due to a pathogen
- Shutdown of North American commerce and business due to a pathogen
This is not to say that you should not take things seriously. You absolutely should. But to assume that you are living in the worst possible scenario out of a series of outcomes is incorrect. To assume this has never happened before which makes you inherently knowledgeable on the situation is also false. What's more, almost all of those struck once upon a time, during and just after a massive world war had drained and depleted natural resources, destroyed homes, villages, families, and left thousands upon thousands homeless, living in worse-than-third-world conditions, and worse.
My point here, folks...is that these are interesting times. Take time to learn. Take time to enjoy life. Take time to slow down. Take time to disconnect. Take time. Just be. Learn how to be human again, because what I fear more than the virus, is that this whole thing has revealed that many humans have forgotten how to just be.
Just had a meeting at work last Thursday mainly on the updates of the Corona Virus and at that specific time only the schools had the potential to be affected. However, steadily it's been getting worse and worse and the U.S. Government is now creating more restrictions and bans making it extremely difficult for most people to even continue working. Apparently the Governor in my state changed our restrictions and bans 15 times within a few short hours today. So far it hasn't effected my job to where I won't be able to work but most of those around me are now without work because everything is closing down. Supposedly there aren't any plans with my job shutting down but honestly, who knows anymore?? Could be tonight, could be tomorrow or it could be next week. So far though we aren't shut down which is a good thing but like I said, now we are all waiting for the when.
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Cosplay has been a part of many peoples lives for some time now. What was once a daft little past-time where high-schoolers would wear a cheap costume-shop wig and a garment hastily put together with hot glue, to these amazing full armour builds and becoming internet famous and even making careers out of it, cosplay surely has gone a long way, hasn't it?
We all seen these amazing fictional characters on our TV screens. Whether it be 2D animation or a character model in a game it is as if we are constantly 'feeling' all kinds of textures with our own eyes. It is amazing how animation works to use clothing and hair to create a sense a realism that blends beautifully within the game's/show's environment.
'Wow, his scarf is floating in the wind.'
Cosplayers can look at a character and compare a character's costume to real life physics. Sometimes the materials are hard and shiny, which is what is typical in armour. Other times there might be stripes or patterns. Maybe its pleated or wavy. You cant physically touch it for yourself but just by looking you can absolutely tell! Its amazing how one can translate something from fiction to real life.
These people can take days, weeks, months, even years, to create a costume. They can also be brought too. Some newcomers might just see costume making as sewing but in reality that is only part of the hobby. Cosplayers make props, they learn makeup, style wigs, create armour, jewellery, accessories and surprisingly many of these people are self-taught.
'But I cant sew...'
That is ok! We all have to start somewhere! No one becomes an expert over night. I have been cosplaying for 12 years and I am still learning. I still make mistakes all the time and there is a lot of sewing jargon I dont understand the definition of. I have been learning as I go along. There are plenty of tutorials online, and maybe you have friends or family that can help. Maybe just buy some clothes from a thrift ship and alter them, like dye or paint them.
Not only there is the joy of the creation process, but also the sense of achievement of completing the costume! It doesnt end here! Consider showing your work off at a convention! The best feeling ever is making people happy because they got to meet their favourite character!
Share the happiness! Its a hobby that makes many people happy!
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The storm brewing outside of the mall was relaxing. Silver clouds beaming with a backdrop of lightning, each flash silent to the chattering food court. I loved the way that the rain pelted away at its large, endless windows. There is a corner I always slip away to during lunch, across the street from where I worked. It's where I often get a head start on material that needed to be brought back home and looked over. It made me sad that this old mall was actually dying and less people come here every day. Around the usual time, a lone man would open up a coffee shop next to where I sat. It's an odd place decorated with a mix of posters from James Dean to the Shape of Water and various anime sorts (must send you a picture sometime, it's quite something to look at). Alternative Rock, videogame, and anime music scores often coil about and slither from the shelf above his head. That day, Lonely in Gorgeous by Tommy February 6 was playing and stayed with me to the end of my shift. I decided to sit the gloomy weekend out and re-examine Paradise Kiss with a bit of lingering deliberation. It had such a positive impact on my teenage youth. I would have disliked to have found out that pure nostalgia was the reason behind my regard towards it in current times.
The show certainly had aged but not necessarily in a bad way. As suspected, there was a hint of nostalgia but that didn't impede on any fresh assessments. In fact, I almost forgot that this show was something my friends and I were inspired by at some point and I ended up enjoying it more for that.
Paradise Kiss is a manga series written and illustrated by Ai Yazawa. I had first heard about Ai Yazawa after doing some research into various art styles. Neighborhood Story left a fundamental impression on me from the start. With its creative illustrations that pushed the boundaries of fashionable capacity at the time. It was designed in more realistic tones than other work with similar aesthetics. Especially those in the Magical Girl genres and subgenres. What stood out was how the artwork was able to apply itself whimsically but also complement the central focus in storytelling. That even a visual, upbeat concept like fashion and the general delve into creative vocation had the complexities of failure and struggle.
I recall all the pomp and frivolous trails of romantic sentimentalities and even the conventional daily prospect of life. However, it's recently that I find Yukari Hayasaka (A.K.A Caroline) such an endearing character that my youth had misjudged as whiny and unpleasant. In hindsight, she's actually quite believable and somewhat relatable. Putting aside the tropes of a romantic genre, how often did shows venture into the stages of relationships— with thought provoking mediums and real life consequences?
Yukari is young and still finding herself but it doesn't just stop as an abstraction and concluded through vague symbolism or metaphorical principles. She faces real world decision making and their effects.
As the show progresses we see Yukari struggling with school work, exploring an interest that presents her with opportunity and work ethics. Of course, this collides with her youth. School, class peers; the contrast of a normal upbringing with that of early pursuits and callings. The decisions that she makes feel absolutely present.
On one hand, she neglects school to focus on life-experiences that help her grow as a person. This offers her a rare advantage into something she notably has aptitude in. An aptitude she couldn't have discovered without the encounter with the ParaKiss club. Here, her first impressions are stereotypical and misjudging. She spends much of her life as a model student that's focused on study and academic achievement to even be bothered by a group that prioritizes creative interest. Once she establishes the determination and passion they have for their work, she begins to develop in personality and open-mindedness. Eventually, she finds acceptance and understanding and it's this very affirmation in the storytelling that moved me when I was younger. When the company and routine you've always kept can no longer inspire you in life, you grow and gravitate toward something new. There's nothing wrong with looking outside your circle or being curious about doing so. Even when it's uncomfortable at first because change is massive and important and frightening. Which is what I ended up appreciating about this show. In a strange way, Paradise Kiss felt like a long absent companion.
Each character journeys through their own revelations and identities within the club. Where Yukari finds faults and uncertainty in the path she's been taking. Ultimately choosing education to have something to fall back on, as a process that works for her. In opposition of Jōji Koizumi (A.K.A George), where the process of branching out is in full certainty and clarity. It also sets the audience up to find more familiarity between Yukari's inexperience in life or George's exposure to it at an early age. Personally, I found this duality of perspectives an uncommon and fruitful one that I hadn't seen since Whisper of the Heart. I ended up enjoying the evolution of their feelings, flourishing into a mutual respect for one another. So much so, that they took a vital step in the direction of their goals and in educational necessity. The anime also illustrated all the bases of it's primary lesson, so that one could find connection with one or multiple characters. You have Yukari looking for purpose and self-discovery, George that's already well versed in life and introspection and knows what he wants from his future. Miwako, learning to separate herself from her sister's shadow and growing into her own independent character. Miwako's development does a wonderful job of creating an atmosphere of positive shortcomings. She recognizes that she indeed has talent but next to her sister, it's a talent that currently had limitations. In resolve, she's okay with this because she understands her abilities need growth. Arashi, coming to the awareness that his secondary passion was more promising than the current one he had placed all of his confidence and time in. Grasping where his strengths and weaknesses were as a person. As well as tackling communication issues and trust with some of the people in his life. Isabella is by far the most compelling of the party without being preachy or utilized as an intermediary. Isabella is a transgender woman and this information is reserved until it was necessary to bring to the forefront of the story. Giving the character a dignity best articulated in confidence and in a positive form of handling. Isabella isn't the subject of sexual tropes and her femininity is never set to a quip. Additionally, she turns out to be the inspiration for our talented haute couture designer.
I love this group of quirky individuals! A more satisfying Breakfast Club, with tons of social architecture and emotional spheres from fleeting dreams to effective realities. There was a time in my life when everything was an adventure of unearthing. Lapping at my heels with a cool sensation and it's true; diving makes the water deep. Paradise Kiss reminds me of the silly and artless, gutsy and bold, cringe and stubborn, challenging and placid, easy and difficult times as a young adult.
Ai Yazawa herself, with her interesting artwork, guided some of my old friends and myself into bursts of imaginative brainstorming. The same way fashion enthusiasts come across gratifying magazines, we came across her work and more!
When the show had concluded I got a sense of fulfilment for a second time. A reminder that the very chapters in our story that once helped us find our footing, sometimes need a bit of dusting off. This anime will always have a special place in my heart and a special place in a black French-bob with teal tips; age sixteen.
Is there an anime that takes you back? Did it have an impact on you or left any sort of everlasting impression? Let me know!
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Judging on their name, one would assume that a shamblefluff would be something fluffy that shambles... Well, you wouldn't be far from the truth...
So what is a shamblefluff exactly?
Well, let's have a bit of a gander. Shall we?
Full name: Shamblefluffs
Other terms/Local names for the species: Cotton rollers, cotton fairies
Appearance: Shamblefluffs are small, fluffy humanoids that are comprised of a stubby body. They have brown/tanned skin. And a thick layer of fur across their back and arms, which is extremely long and course, similar to that of sheep and cotton, giving them their name. Their eyes tend to be a solid black, and they have a small nose and mouth. Their features apart from this are usually bland, however they tend to adorn themselves with paints, accessories and styles in order to stand out from one another. They tend to travel as one large group, and as such look like a giant mass of shambling fluff (hence their full name)
Locations/Climates they are found in: Thick forestry areas that are subject to intense weather conditions. Such as extreme fluctuations of cold or heat.
Diet: regular Shamblefluffs are omnivores, however other subspecies within the group can either be carnivores or herbivores.
Nature (Aggressive, passive, exedra): They tend to be relatively social and rather pleasant, as they prefer to talk and barter with other humanoids (with the exception of the more tribal subspecies, that can sometimes hunt them for sport)
Culture: in general, a group of Shamblefluffs have their own cultural rules, histories and parts per group. However, for the most part, thir groups are commonly made up of individual professions with a single queen at the center. The queen is in charge, and is the soul leading force of the Shamblefluff group. If the queen dies, then the next queen is chosen on popularity and knowledge
Life span: 40-80 years
They tend to vary a hollow, light weight homestead in the centre of the mass, which they use to sleep inside when either night rolls around, or when certain workers need to rest (this home is usually in the form of a wooden log, giant shell, or any natural/handmade source that can be squeezed inside as a home.)
Scout Shamblefluffs tend to be far smaller then the rest, while worries are much larger. This varies depending on group, however.
The smallest tend to be around the size of a human foot, while the largest can stand up to a humans waist
As part of a defensive mechanism, Shamblefluffs will drag an attacker into their bundle, pinning them down in the centre of them. They will then cause the individual to cook to death under the mass of fur, before then either stripping it apart if it was a usable animal or something they could use for food, or throw it away/burry it if it were a humanoid (although some will still use the first option, however it is commonly shunned upon, and is only ever done in times of need to prevent starvation)
Variations within the species:
They tend to vary in appearance based on their role within the shamble. Worries tend to be a bit larger and muscular, while groomers tend to have specialised tusks for parking fur, exedra
List of subspecies:
Appearance: just like ordinary Shamblefluffs, but their fur is a red/dark red/black rather then the standard shade of white, grey and gold. They also have sharper teeth and tusks in some cases
Locations/Climates they are found in: deserts, volcanic regions and forestry areas prone to sporadic climates
Diet: carnivores (the tribal groups are known to hunt and feed on other intelligent life too)
Nature (Aggressive, passive, exedra): aggressive for the most part, with the exception of those living closer to civilization, as they tend to be either friendly to other humanoids or at the very least avoid them. More tribal ones will eat intelligent life, however.
Culture: they tend to prefer hunting as a pack, utilizing small weapons and tusks to hunt and kill prey. Intelligent life in tribal variants tend to be seen as a more spiritual hunt, and thus gives way for warriors to prove themselves in battle.
Life span: 40-60 years
Tribal variants are far more aggressive then those who are around civilization
They tend to enjoy places that are far warmer and more open
Although they travel as a group, they will fight other groups of shamblefluffians, and the winning group will take the losers in and use them as workers, only allowing them to become warriors when they prove themselves
Appearance: similar to Shamblefluffs, with the exception of their fur being more green, dark green and mint in coloration. Their fur also tends to contain thick, sharp thorns, as well as being far heavier and more course
Locations/Climates they are found in: thick forests, jungles and any places filled with crevices and foliage
Diet: herbivores. They tend to enjoy vines and other vine-like plant life and vegetation, such as ivy
Nature (Aggressive, passive, exedra): very defencive. They tend to huddle together when approached, and are overly cautious, even around other humanoids.
Culture: they tend to live in smaller groups, but are always looking out for one another. They will usually consume leaves, vines and other creeper plants until they need to move ,and will do so as a large group. Shamblethorns don't have a queen, and instead work as a services group, working with other groups of shamblethorns when needed, but otherwise sticking in smaller groups.
Life span: 70-88 years
Their fur tends to be Incredibly sharp, accompanied by solid spines in their backs. These can usually cause immense lacerations, killing most species from exsanguination
They tend to work well with other species, oftentimes accepting protection from other humanoids in exchange for them eating pest creeper plants from taking over farmsteads and the like.
Appearance: exactly like normal Shamblefluffs in base appearance, however they can vary drastically due to their introduction In to civilised life. This can include styles of hair; including trimmed variations, colours and even race-okenos (Due to parents being a mix of shamblefluff and any other variation of humanoid species) based on the area they have grown up in throughout life.
Locations/Climates they are found in: Civilised planets (or within civilization on many planets)
Diet: omnivores; tend to eat anything, so long as it fits into a regular humanoid diet.
Nature (Aggressive, passive, exedra): varies depending on upbringing and type of civilization. Brought up within. Varies from individual to individual.
Culture: varies based on civilization brought up in and their own family history.
Life span: average of 70-300 years
Unlike other Shamblefluff species, Cottonfluffs don't travel as a group, and are independent (as such, no queens exist either)
They tend to be far taller then others. And are usually waist height, but this varies from individual to individual
Okeno Cottonfluffs tend to maintain their fur and their eyes, but will usually take in their other special traits, including normal height (but will always be slightly shorter then most, due to their overly short nature)
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There is always one anime that really stands out to you, that really makes a difference to you. There's always one show that you want everybody to watch and love just as much as you do (if not more). That show for me is Steins;Gate.
I remember a few years ago, a friend recommended this show for me to watch. I was still relatively new to watching anime and my taste in shows was, what i would consider now, rather lame. Even then, I was mesmerized by this show. It dragged me in and completely hooked me from episode 1.
Since then, I have watched this show countless and countless of times, it never losing its appeal. It still makes me cry, gives me goosebumps, and puts me on the edge of my seat. I catch new things I missed in previous watchings almost every time I rewatch it.
I feel that Steins;Gate is so underappreciated and not nearly as popular as it should be. There must've been so much thought and time put into creating such a complete masterpiece. It really delves deep into topics not usually presented in anime and takes it above and beyond what I would have expected.
Steins;Gate is originally a visual novel game that was later adapted into an anime. I didn't play the actual visual novel till years later after I had already rewatched the show a few times. The visual novel, obviously, is much more complex and explains things in a much deeper way.
OKAY, so, you are all probably wondering.. "What is it even about Rini?" Well, don't worry! I will explain that now!!
Steins;Gate takes place in Akihabara, Japan following the story of main character Okabe Rintaro (whom likes to be called "Hououin Kyouma!"). Okabe is a self proclaimed 'mad scientist' who runs his own lab with two friends Mayuri and Daru. There he creates tons of mostly useless experiments. One day, however, he accidentally steps into territory that should not be stepped in. He accidentally creates a time machine. Given the opportunity to stop research or continue, he continues.
This glorious anime sheds light as to what the horrors of time travel would be and what it could lead to. It makes use of the Butterfly Effect, separate world lines, etc. As you follow Okabe through this intense story-line, you watch as he descends into TRUE madness (not his self proclaimed madness). I cannot stress enough how incredible of a show this is. It can be a tad slow at the start, but it really sets off around episode 12 or so and it's nonstop from that point on.
I want more people to give this show the chance it deserves, as its just entirely underrated.
So I was finally able to stop procrastinating and get stuff done. And here is 30+ seconds of my animated webcomic.
30 seconds is a lot of work for an animator. Although this isn't full animation just limited animation. And to be honest this is the easy part.
It gets harder from here.
It also feels weird as I don't know where to categorize it. It's a motion comic. But it's not Marvel or DC. There are no super heroes here.
It's not a web anime series as it's not 100% animated. It's not a web manga either as it's colored and has some animation.
It's not a webtoon as most webtoons have Asian settings. And focuses mostly on Romance.
But yeah I think I've rambled on long enough. Here is the link to the first 30+ seconds: (Let me know what you think)
Sugar and Spice & Everything nice, that’s what Fall is made of.
When it comes to a favorite fall beverage, do you go on a hunt for the perfect Pumpkin spiced beverage?
Or are you after a hot apple cider?
To me, there’s nothing better than a steaming cup of spiced apple cider to warm you up on a chilly day. It started when I was little, taking a tour of an old historic township, where they displayed old fashioned mills and field games. Once we finished the tour, we lined up for a glass of warm old fashioned cider. The experience was one of a kind, and I find myself wanting to go back to have another taste of that famous cider. Or at least, my hunt for a good cider continues year after year to find a pleasing memory.
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