The Living Daylights
When Daniel Craig became widely accepted after Casino Royale came out, people questioned why Timothy Dalton wasn't. Not having seen License to Kill, I couldn't answer that fully, but I'd say that Dalton in this movie, while a functional performance, just didn't stand out from the previous Bonds as much, Roger Moore included.
The camp is still here. Though not as exaggerated as Moore's movies, it was a shame not to see Bond use his intelligence to outwit the bad guys during the chase scene in the Aston Martin. The reliance on gadgets of that scene was annoying, as usual, especially the use of rockets and lasers.
Nevertheless, Dalton has his other moments that foreshadowed the hard-edge that was to come in License to Kill. His cold attitude was believable, if only because of the contrast displayed during the lighter moments, when Bond showed himself to a charming romantic capable of falling in love. As long as he wasn't forced to quip those one-liners that came off as more unnatural when said by him (as opposed to being said by someone like Brosnan or Moore), he made for a decent Bond in this movie.
7/10
License to Kill
7/10
The infamous License to Kill was hailed as the most violent Bond movie ever, sometimes still regarded as so even after Casino Royale came out. Looking at it now in 2015, the film naturally seems pale in comparison, but even back in '89, there were much more violent films out there that made it seem like all the hoopla was for naught.
The majority of the movie consists of Bond flaunting his usual charm around women, and in this case, he has to work his charisma on his adversary as well. Only one-third of the movie has extremely violent scenes, as most of the action scenes featured here are no more violent than Connery's Bond movies. Dalton's so-called 'edgier' side merely come up every so often. He's still the suave and cool-headed romantic comparable to Connery and less comparable to Craig. Compared to Daniel, he's more a monk than a hitman.
The Bond girls here are the most entertaining part of the movie, though that's not saying much. Pam Bouvier plays a believable young woman who, although could handle a fight on her own, is not any more a femme fatale than Vesper. Without sacrificing the more feminine traits, Carey Lowell managed to be a great character on her own. And as for the lovely Lupe Lamora (played by Talisa Soto), she made for one of the more interesting characters in the film as an ambiguous character who kept me guessing which team she was playing on. Though not as great a character as Carey, I can't say I hate watching the sexy exchanges between her and Bond.
Franz Sanchez (played by Robert Davi) as a more realistic villain... was the last thing I would have thought to describe as "boring". And yet he is. I can't believe I would rather watch Blofeld over this guy. Unlike Silva in Skyfall, who managed to strike a good balance between camp and realism, Sanchez made for a generic drug-dealer whose principal of loyalty was as interesting as the plot itself.
And ah yes, the plot. The notorious "Bond seeks revenge" plot I also thought would be immensely unique among the Bond movies. The story started out fine as I had fun seeing Bond pushed to the edge. But then the movie dragged on, and on, and on, until all the tension that it had in the initial 20 minutes was lost in its poor pacing. By the time Bond finally got to kill Sanchez, I had no longer cared. 70% of the movie merely felt like Bond going on another of his adventures, going after yet another villain. It didn't seem like "Bond seeking revenge" to me. I just didn't buy it. I can't believe I'm saying this, but take notes from Quantum of Solace to see how to make a revenge seem believable. Though the execution of that one was piss-poor, at least I bought that Bond was actually thirst for revenge.
Worst of all, this is probably the most annoying M yet. Not only does Robert Brown's character not serve other purpose more than a plot-device (much like in The Living Daylights), his few minutes of presence berating Bond was absolutely irritating. Thank god for Judi Dench in the next film.
Despite all that, I can't say I hate this film any more than I hate Skyfall. Dalton and Bouvier's performances really carried this movie well, and even Robert Davi was not too bad. Dalton, while still failing to impress me, the subtle nuance he brought in his expressions that displayed Bond's more human side continued to appeal me. I can see why people have claimed that Daniel Craig seem much more stiff than Dalton, for the latter was able to remain emotional while being angry or professional. Good actors and characters can keep a dull movie from being too dull, and this is a fine example here.
Now for the big question: is Dalton or Craig the more grittier of the two? I would say neither, for both are considered equally gritty during the times they were in, so it's unfair to say Dalton should have been more realistic or whatever. However, I think it's Daniel's ability to always remain emotionally detached when facing his enemies that makes me like him a little more. Sorry Dalton.
The infamous License to Kill was hailed as the most violent Bond movie ever, sometimes still regarded as so even after Casino Royale came out. Looking at it now in 2015, the film naturally seems pale in comparison, but even back in '89, there were much more violent films out there that made it seem like all the hoopla was for naught.
The majority of the movie consists of Bond flaunting his usual charm around women, and in this case, he has to work his charisma on his adversary as well. Only one-third of the movie has extremely violent scenes, as most of the action scenes featured here are no more violent than Connery's Bond movies. Dalton's so-called 'edgier' side merely come up every so often. He's still the suave and cool-headed romantic comparable to Connery and less comparable to Craig. Compared to Daniel, he's more a monk than a hitman.
The Bond girls here are the most entertaining part of the movie, though that's not saying much. Pam Bouvier plays a believable young woman who, although could handle a fight on her own, is not any more a femme fatale than Vesper. Without sacrificing the more feminine traits, Carey Lowell managed to be a great character on her own. And as for the lovely Lupe Lamora (played by Talisa Soto), she made for one of the more interesting characters in the film as an ambiguous character who kept me guessing which team she was playing on. Though not as great a character as Carey, I can't say I hate watching the sexy exchanges between her and Bond.
Franz Sanchez (played by Robert Davi) as a more realistic villain... was the last thing I would have thought to describe as "boring". And yet he is. I can't believe I would rather watch Blofeld over this guy. Unlike Silva in Skyfall, who managed to strike a good balance between camp and realism, Sanchez made for a generic drug-dealer whose principal of loyalty was as interesting as the plot itself.
And ah yes, the plot. The notorious "Bond seeks revenge" plot I also thought would be immensely unique among the Bond movies. The story started out fine as I had fun seeing Bond pushed to the edge. But then the movie dragged on, and on, and on, until all the tension that it had in the initial 20 minutes was lost in its poor pacing. By the time Bond finally got to kill Sanchez, I had no longer cared. 70% of the movie merely felt like Bond going on another of his adventures, going after yet another villain. It didn't seem like "Bond seeking revenge" to me. I just didn't buy it. I can't believe I'm saying this, but take notes from Quantum of Solace to see how to make a revenge seem believable. Though the execution of that one was piss-poor, at least I bought that Bond was actually thirst for revenge.
Worst of all, this is probably the most annoying M yet. Not only does Robert Brown's character not serve other purpose more than a plot-device (much like in The Living Daylights), his few minutes of presence berating Bond was absolutely irritating. Thank god for Judi Dench in the next film.
Despite all that, I can't say I hate this film any more than I hate Skyfall. Dalton and Bouvier's performances really carried this movie well, and even Robert Davi was not too bad. Dalton, while still failing to impress me, the subtle nuance he brought in his expressions that displayed Bond's more human side continued to appeal me. I can see why people have claimed that Daniel Craig seem much more stiff than Dalton, for the latter was able to remain emotional while being angry or professional. Good actors and characters can keep a dull movie from being too dull, and this is a fine example here.
Now for the big question: is Dalton or Craig the more grittier of the two? I would say neither, for both are considered equally gritty during the times they were in, so it's unfair to say Dalton should have been more realistic or whatever. However, I think it's Daniel's ability to always remain emotionally detached when facing his enemies that makes me like him a little more. Sorry Dalton.